Download Adobe Premiere pro bible by Adele Droblas PDF
By Adele Droblas
- Totally revised and superior to hide the most important new improve to the general top machine electronic video application
- Packed with tutorials, counsel, and methods, this is often the authoritative and entire advisor to making, modifying, and outputting electronic video to DVD, CD-ROM, the net, or videotape
- Shows the way to create lighting tricks utilizing greatest and After results, Encore, and different software program; easy methods to combine narration, song, and sound results with relocating photographs; and the way to create electronic video productions from videos shot on a camcorder
- Bonus CD-ROM is loaded with video-based tutorials, a library of usable movies and pattern results, beneficial video filters and utilities, and software program tryouts
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Extra resources for Adobe Premiere pro bible
577 578 579 579 580 581 581 582 Chapter 26: Trimming Clips in After Effects . . . . . . . . 585 Trimming in After Effects: What’s It All About? . . Creating an After Effects project . . . . . Trimming Using the Timeline Window . . . . . Trimming with the layer duration bar . . . . Trimming with the current-time indicator . . Trimming Using the Layer Window .
642 646 648 650 Chapter 30: Adding Special Effects in Adobe After Effects . . . 651 How After Effects Works . . . . . . . Importing Premiere Pro Projects . . . . . Importing and Animating Photoshop Files . . Importing and Animating Illustrator Files . . Creating and Animating Type Using After Effects Working with Motion Paths . . . . . . Animating with anchor points . . . . Animating with Sketch a Motion . . . Creating a Composite Video Clip .
571 572 574 574 575 576 576 xxix xxx Contents Creating and Using Timelines . . . . . Adding a chapter point to the Timeline Naming chapter points . . . . . Customizing Navigation . . . . . . Setting First Play disc links . . . . Setting menu display time and looping Setting button navigation . . . . Setting Timeline Navigation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .