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While commiserating with Joyce’s frustration about the legal power of printer over writer, Richards was firm in his decision. This kept the two at loggerheads through the summer, when Joyce and his family moved to Rome. By October, when Joyce at last agreed to suppress “Two Gallants” and “A Little Cloud,” it was too late. Richards had already decided to pass on the entire project. The manuscript was returned, and Dubliners went into an eight-year limbo until Richards finally consented to publish it in 1914.

Militarism was a relevant social issue and potent political dogma in each of the countries where Joyce resided. It shaped the atmosphere of daily life and influenced the process and product of his ongoing literary effort. If for Joyce that effort would focus consistently on depictions of life in the 24 · Joyce and Militarism late-colonial Ireland he left behind in 1904, it was also informed by definitions of militarism originating from a central-European political discourse that Joyce was perfectly positioned to absorb.

He wears spectacles, is delicate-looking and altogether, is the type you would expect to find in some quiet nook in the Coffee-Palace nibbling a bun hastily and apologetically between the hours of half-past twelve and one. (L 2:159) Joyce’s playful description hints at a deeper intellectual respect and a hope of emulating Ferrero in categories beyond physical meekness. There is no evidence that Joyce ever met Ferrero, but it was in Trieste that their paths drew nearest one another. Joyce was invited to write about Ireland for Il Piccolo della Sera, the Trieste-based irredentist newspaper to which Ferrero was also a contributor.

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